![]() ![]() During his last months at the school and for some time after he left, he studied with the Italian composer Antonio Salieri. During his student days at the Stadtkonvikt, Schubert composed several works, among them a fantasia for piano duet (1810) and his first song Hagars Klage (1811). There, students were taught music as well as other subjects in return for their services as choristers. In October 1808, Schubert was sent to the Stadtkonvikt, a boarding school attached to the imperial court in Vienna. He also made his first timid attempts to write music. When Franz was 11, he sang and played the violin in the parish church. ![]() He was then turned over to the parish choirmaster, Michael Holzer, who taught him singing and music theory. Schubert received his first music instruction at home, starting piano lessons when he was six and violin lessons when he was eight. Schubert’s first musical impressions were of the chamber music sessions of his father and older brothers, one of whom, Ferdinand, later became fairly well known as a composer of church music. Franz was the 13th of 14 children, nine of whom died in infancy. His mother, a native of Silesia, had been a cook. His father, of Moravian peasant stock, was a schoolteacher in the Viennese suburb of Lichtenthal. In addition to art songs, Schubert also wrote masterful symphonies, chamber music, piano music, and church music. Using verses by such authors as Goethe, Schiller, Heine, and Shakespeare, he achieved an exquisite fusion of poetry and music, in which the music brilliantly expresses and underscores the emotion and meaning of the words. With little money and nothing much more than his 'groupies' to support him, Schubert began to produce a seemingly endless stream of masterpieces that for the most part were left to posterity to discover, including the two great song cycles, Die Schone Mullerin and Winterreise, the Eighth ('Unfinished') and Ninth ('Great') Symphonies, the Octet for Wind, the last three string quartets, the two piano trios, the String Quintet, the 'Wanderer' Fantasy and the last six sonatas for solo piano.ĭuring 1815 alone, Schubert composed over 140 masterly song settings - including the unforgettable 'Erlkonig' - although he was still only 18 at the time.Advertisement Who was Franz Peter Schubert? Information about Franz Schubert biography, life story, early, middle and late years.įranz Peter Schubert (1797-1828), Austrian composer, who developed and brought to its highest form the German lied, or art song. Musical soirees known as Schubertiads became all the rage, during which Schubert might sing some of his own songs while accompanying himself at the piano. This period of intense creative activity remains one of the most inexplicable feats of productivity in musical history. While Schubert was still struggling to hold down his full-time teaching post, he not only composed 145 lieder (songs), the Second and Third Symphonies, two sonatas and a series of miniatures for solo piano, two mass settings and other shorter choral works, four stage works, and a string quartet, in addition to various other projects. ![]() The same year he began teaching - 1814 - he produced his first indisputable masterpiece, 'Gretchen am Spinnrade' ('Gretchen at her spinning wheel'). ![]() This was at once a calamitous move and a blessing, for it was Schubert's deep loathing of the school environment that finally lit the touchpaper of his creative genius. Franz Schubert (1797–1828) was an Austrian romantic composer and although he died at the age of 31, he was a prolific composer, having written some 600 lieder and nine symphonies.Īged 10, the young Schubert won a place in the Vienna Imperial Court chapel choir and quickly gained a reputation as a budding composer with a set of facile string quartets.Īfter leaving chapel school and having completed the year's mandatory training, Schubert followed his father into the teaching profession. ![]()
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